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D r. Seuss' The Lorax is a archetype children's book that doubles as a cautionary environmentalist tale for adults. In 2012, The Lorax was adapted by Illumination Amusement into a feature film. Nosotros're going to suspension downwardly the movie version of The Lorax by looking at its script. We're besides going to dissect what made The Lorax script succeed as a film adaptation. By the end, you'll hopefully have a new appreciation for Seuss' classic book.
The Lorax PDF Download
Click to view and download the entire The Lorax PDF below.
Click above to read and download the entire The Lorax Movie 2012 script PDF
WHO WROTE the lorax SCRIPT?
Written by Cinco Paul and Ken Daurio
Cinco Paul is an American screenwriter with credits on upwards of a dozen scripts. Paul was formally trained at USC in the schoolhouse's graduate programme for screenwriting.
Ken Daurio is an American screenwriter and managing director who is perhaps best known for his work with Cinco Paul. On his ain, Daurio has directed more than 100 music videos.
Paul and Daurio'south credits include merely are not limited to: Horton Hears a Who!, Despicable Me, and The Secret Life of Pets.
STORY Breakup
Construction OF THE LORAX SCREENPLAY
Here is the story construction for The Lorax screenplay:
Exposition
The Lorax introduces the reader to the town of Thneedville — an industrial city that'southward controlled by business magnate, Aloysius O'Hare.
Inciting Incident
A boy named Ted hatches a program to win over the heart of his crush Audrey by finding a real tree to supercede the metal one in her backyard. Ted'south grandmother tells him that he needs to notice the Once-ler to learn more about what happened to the trees.
Plot Bespeak I
The Once-ler tells Ted the story of how he deforested the Truffula trees and invoked the wrath of the Lorax by selling Thneed to the denizens of the town side by side-door.
Rising Action
Ted attracts the attention of O'Hare, who warns him not to talk to the Once-ler considering the return of trees would exist a threat to his business organisation.
Midpoint
The One time-ler describes how he was whisked away from harvesting the thneed from copse and enticed to chop them downward instead.
Plot Signal Two
The Once-ler reveals that he destroyed every Truffula tree, forcing the Lorax to leave – and that the Lorax gave him a rock engraved with the give-and-take "unless" as a parting souvenir.
Build Up
The Once-ler gives Ted the last Truffula seed and asks him to plant it.
Climax
Ted and Audrey rush to plant the Truffula seed before O'Hare can stop them.
Finale
The denizens of Thneedville come up together to establish the Truffula seed in the middle of town while O'Hare watches helplessly.
Denouement
The Once-ler leaves his cavern and tends to the growing trees. The Lorax returns, proud of his former friend. Audrey kisses Ted and all becomes right in the town of Thneedville.
The Lorax Script Takeaway #ane
The Lorax characters are heroes
The Lorax may be the name of the story – but he'southward actually a pretty minor character in the m scheme of things. But who is the Lorax? The Lorax is a beast who speaks for the Truffula trees. Actor and comedian Danny DeVito played the title character in the 2012 film The Lorax.
We imported The Lorax screenplay into StudioBinder's screenwriting software to have a closer look at the Lorax characters and the Lorax'due south introduction.
Read The Lorax Script • Meet the Lorax Moving-picture show Characters
In this scene, the Lorax is given a heroic introduction. "Lightning bolts" and "thunderstorms" mark his dramatic archway. In many ways, the Lorax is a symbol for primordial nature — but he's likewise given a signature Seussian flair. The animators at Illumination attempted to capture the Lorax's classic design while giving it their own touch. Check out the clip beneath and let usa know how you recall they did.
The Lorax Characters • Guardian of the Forest Scene
All in all, I think the animators did a pretty good job — although I remember few would refute that it would've worked even better in ii-D. But still, the essence of many of The Lorax characters, such as the Once-ler and the Lorax, were captured well by the squad at Illumination — and it all started with the script.
The Lorax Script Takeaway #2
The Lorax book vs script
The Lorax pic didn't receive rave reviews from critics, but I'd argue it wasn't the script's fault. Paul and Dario did a corking task of expanding Dr. Seuss' story while notwithstanding retaining the spirit of the original.
Permit's take a await at a scene in which Paul and Dario utilize screenwriting tactics to elongate the story of the original book. As you lot're reading, recollect about how they justify a somewhat obvious stall tactic with an emotional story crush.
Read The Lorax Movie Script • Detect the Emotion in The Lorax Script
Structure plays a huge function in screenwriting. So, how did Paul and Dario turn a picture book into a feature length script? The excerpt above shows how they did information technology. In Dr. Seuss' The Lorax, the Once-ler doesn't make Ted get out and return the next day — in fact, in Dr. Seuss' version, "Ted" isn't Ted at all merely rather a nameless protagonist.
Paul and Dario knew they needed to make the nameless protagonist a grapheme we can empathize with — and they knew they needed to fit Dr. Seuss' story into a three-act structure. To do this, they had to elongate the story through screenwriting tactics.
By having the Once-ler forcefulness Ted to go out and return the side by side day, the writers buy more time for the story to develop. But they as well apply this tactic to develop the One time-ler's graphic symbol. In a manner, the Once-ler is testing Ted to meet if he'due south truly the one who's worthy of the last Truffula seed. All in all, it'south a novel approach to developing a children'southward story into a screenplay.
At that place are some great quotes in both the book and the script. Let'south take a look at a few of the all-time:
- "I am the Lorax. I speak for the trees. I speak for the copse for the trees have no tongues."
- "Unless someone similar y'all cares a whole atrocious lot, cipher is going to become improve. It'south not."
- "What I want more than anything is to see a real living tree."
Dr. Seuss was known for memorable quotes — and The Lorax certainly has some of his all-time.
The Lorax Script Takeaway #3
The Lorax is an environmental legend
The Lorax may be a children's story, simply that doesn't mean information technology doesn't comprise insight for adults too. Quite the contrary actually — many would contend it'due south adults who demand to heed the fabulist themes of the story more than than children.
The Lorax is a quasi-fable about the effect deforestation has on our world'due south ecology. In an interview in 2013, screenwriters Paul and Dario expressed this concurrence in saying, "We always want the movies [we write] to be nigh something, but we never want them to be preachy."
Paul and Dario's statement on screenwriting aligns very well with how Dr. Seuss seemed to impart his philosophy on life in literature — so as to say you have to activate the listen of the reader in order to have a stiff outcome.
Dr. Seuss used the 2nd person point of view to ship the reader into the globe of The Lorax. Paul and Dario used satire and music. Let's swoop back into the script to see how they used ironic juxtaposition to convey the One time-ler's descent into evil.
What is the Theme of The Lorax? • Find Out in the Lorax Film Script
Here, we encounter the Once-ler groove out to the melody of a business too large to fail. The song "How Bad Tin can I Be?" is an indictment of corporate inflation and greed. It's also a tragic swan song for the Lorax and the truffula trees.
The song ends with the last tree being chopped down, and the Lorax is left to wander away because he has no trees to speak for. If you want to see the song in action, check out the clip below.
The Lorax Script to Screen • 'How Bad Tin can I Exist?'
In the cease, the Once-ler understands the implications that his greed has had on the local ecology. He feels shame and remorse for what he's done – but he knows that the environs tin can survive if it's tended to by the right people.
Up Side by side
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The Lorax is proof that screenwriters tin can successfully address themes pertinent to children and adults. If you desire to go on reading screenplays, nosotros have similar titles like Coco, Frozen, and The Lion King in our screenplay database. Scan and download PDFs for all of our scripts every bit you read, write and do your craft to become the next great screenwriter.
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